SUBWAY CINEMA NEWS: March 27 – April 3, 2008
COMING SOON
NOW PLAYING
Asia Society
RED PEONY GAMBLER (Japan, 1969, 98 minutes)
Thursday, March 27 @ 7pm
Part of their GANGSTERS, GAMBLERS AND OTHER ANTI-HEROES: THE JAPANESE YAKUZA MOVIE series. This installment in the wandering gambler lady movies was directed by the visually extravagant Tai Kato and it’s full of butt-kicking female empowerment.
more details:
http://www.asiasociety.org/events/calendar.pl?rm=detail&eventid=17051
TATTOOED LIFE (Japan, 1965, 82 minutes)
Thursday, April 3 @ 7pm
Part of their GANGSTERS, GAMBLERS AND OTHER ANTI-HEROES: THE JAPANESE YAKUZA MOVIE series. If you’re going to catch one film from the line-up, get this one. One of Suzuki Seijun’s most visually gob-stopping flicks! It starts out all nice and normal, keeping a story about a yakuza hitman in hiding at a mountain mine on a low simmering boil, but the finale explodes into the kind of imagery that will stay with you for the rest of your life.
more details:
http://www.asiasociety.org/events/calendar.pl?rm=detail&eventid=17052
AMC Empire 25
CJ7 (Hong Kong, 2008)
Daily @ 12:15pm, 2pm, 4pm, 5:45pm, 7:45pm, 9:40pm
Stephen Chow abandons his surreal “mo lei tau” style of anything goes comedy in this movie that sees him embracing a gentler more universal style of laffs. There are still plenty of manga-style combat scenes, poo jokes, overly-violent whacks in the head and off-the-wall plot turns in this sci-fi riff on ET about a poor father and son who find an alien toy in the local dump.
read reviews:
http://www.rottentomatoes.com/m/cj7/
Cinema Village
TUYA’S MARRIAGE (China, 2007, 96 minutes)
starts April 4
Winner of the Golden Bear at the Berlin Film Festival, TUYA’S MARRIAGE is set in China’s Mongolian grasslands and tells the tale of steel-willed Tuya, who sets out to find a new husband after her original hubby falls ill. Part comedy, part girl-power social drama, it’s a highly acclaimed film set in some of the most scenic parts of the planet.
read a review:
http://www.beyondhollywood.com/tuyas-marriage-2006-movie-review/
Columbia University
(Roone Arledge Auditorium, 115th Street & Broadway)
DOCTOR’S DAY OFF (Japan, 1952)
part of
OUT OF THE ASHES: EARLY POSTWAR JAPANESE MOVIES
Monday, March 31 @ 6pm
This series, curated by Linda Hoaglund, is screening some ultra-rare films from Japan’s immediate postwar years. The following synopsis is cribbed from Columbia U’s website:
“Set in 1946, on the first anniversary of Japan’s defeat, this film chronicles the hopeless efforts of a doctor in a poor neighborhood, trying to take a day off. His attempts to nap are foiled by a colorful stream of characters scarred by postwar trauma and lawlessness. The film’s guileless heart guides this tragic comedy to a deeply affecting conclusion. (Based on the short story by Ibuse Masuji.)”
more info:
http://www.columbia.edu/cu/weai/events/OutofAshes.html
ImaginAsian
RACE (India, 2008, 160 minutes)
Daily @ 2:30pm, 10pm
ends April 3
India’s Abbas-Mustan team direct high class thrillers with plots often cribbed from Hollywood flicks. But although RACE hasn’t gotten the best reviews, it would be hard to find a plot summary this awesome anywhere in the West:
“To the public eye, Ranvir (Saif Ali Khan) and Rajiv (Akshaye Khanna) may be your average horse breeders with a huge stud farm, but they are also the biggest bookies in the horse racing circuit. Rajiv, suffering from alcoholism, swears to quit drinking, if Shaina (Bipasha Basu), who is in love with Ranvir, marries him…”
Could this be any more camp-eriffic?
read a review:
http://movies.indiatimes.com/moviereview/2886604.cms
NANA (Japan, 2005, 113 minutes)
starts April 4
One of the best movies from Japan in recent history, NANA is based on an enormously popular manga series about two girls who share the name Nana who become roommates when they move to Tokyo. It’s all simple enough, but somehow this movie manages to feel as big as all creation. Funny, smart, cute, and sugar pop charged, this is one of the most intelligent dramas about young women that you’ll see this year. Right up there with LINDA LINDA LINDA from a few years ago.
read a review:
http://www.midnighteye.com/reviews/nana.shtml
Japan Society
GLASS JOHNNY: LOOKS LIKE A BEAST (Japan, 1962, 108 minutes)
Friday, April 4 @ 7:30pm
As THE WARPED ONES was a riff on BREATHLESS this Japanese flick (part of the Nikkatsu Action retrospective that’s been packing the house up there) is a riff on Fellini’s LA STRADA. The inimitable chipmunk-cheeked Jo Shishido plays a bike track tout who wants to groom a young rider into a star racer, and he adopts a simple-minded prostitute in the process. Black and white madness like you’ve never seen before.
see the trailer and read more:
http://www.japansociety.org/event_detail?eid=34941974
Landmark Sunshine
CJ7 (Hong Kong, 2008)
Daily @ 12:15pm, 2pm, 4pm, 5:45pm, 7:45pm, 9:40pm
Stephen Chow abandons his surreal “mo lei tau” style of anything goes comedy in this movie that sees him embracing a gentler more universal style of laffs. There are still plenty of manga-style combat scenes, poo jokes, overly-violent whacks in the head and off-the-wall plot turns in this sci-fi riff on ET about a poor father and son who find an alien toy in the local dump.
read reviews:
http://www.rottentomatoes.com/m/cj7/
Walter Reade
NEW DIRECTORS/NEW FILMS
Taking place March 26 – April 6, New Directors/New Films is Lincoln Center and MOMA’s annual celebration of the newest directors they dig up all over the planet. This year there are six directors from Asia, including:
EPITAPH – a hallucinatory Korean horror movie that rises above genre with a creepy visual sense and a time-jumping tale that folds up in itself.
FOSTER CHILD – Brillante Mendoza is one of the best new directors from the Philippines and his rehearsed and improvised movies are some of the rawest, roughest evocations of life in modern day Manila.
MEGANE – a feel good film from the director of KAMOME DINER that’s scientifically built to warm the cockles of even the blackest heart.
SOUL CARRIAGE – a bleak, abstract movie from China (directed by a Brit) it’s a grimmer take on GOING HOME: a young construction worker tries to make some quick cash taking the dead body of his co-worker back to his hometown thousands of miles away.
WE WENT TO WONDERLAND – an elderly Chinese couple visits Europe for the first time. He can’t speak due to cancer, she’s a hardheaded pragmatist. Sly, gentle comedy ensues.
WONDERFUL TOWN – a damp, mysterious film set in Thailand, this flick is all about an architect shows up at a nearly-abandoned town and tries to hook up with a woman whose past is as mysterious as his.
COMING SOON
NOW PLAYING
Asia Society
RED PEONY GAMBLER (Japan, 1969, 98 minutes)
Thursday, March 27 @ 7pm
Part of their GANGSTERS, GAMBLERS AND OTHER ANTI-HEROES: THE JAPANESE YAKUZA MOVIE series. This installment in the wandering gambler lady movies was directed by the visually extravagant Tai Kato and it’s full of butt-kicking female empowerment.
more details:
http://www.asiasociety.org/events/calendar.pl?rm=detail&eventid=17051
TATTOOED LIFE (Japan, 1965, 82 minutes)
Thursday, April 3 @ 7pm
Part of their GANGSTERS, GAMBLERS AND OTHER ANTI-HEROES: THE JAPANESE YAKUZA MOVIE series. If you’re going to catch one film from the line-up, get this one. One of Suzuki Seijun’s most visually gob-stopping flicks! It starts out all nice and normal, keeping a story about a yakuza hitman in hiding at a mountain mine on a low simmering boil, but the finale explodes into the kind of imagery that will stay with you for the rest of your life.
more details:
http://www.asiasociety.org/events/calendar.pl?rm=detail&eventid=17052
AMC Empire 25
CJ7 (Hong Kong, 2008)
Daily @ 12:15pm, 2pm, 4pm, 5:45pm, 7:45pm, 9:40pm
Stephen Chow abandons his surreal “mo lei tau” style of anything goes comedy in this movie that sees him embracing a gentler more universal style of laffs. There are still plenty of manga-style combat scenes, poo jokes, overly-violent whacks in the head and off-the-wall plot turns in this sci-fi riff on ET about a poor father and son who find an alien toy in the local dump.
read reviews:
http://www.rottentomatoes.com/m/cj7/
Cinema Village
TUYA’S MARRIAGE (China, 2007, 96 minutes)
starts April 4
Winner of the Golden Bear at the Berlin Film Festival, TUYA’S MARRIAGE is set in China’s Mongolian grasslands and tells the tale of steel-willed Tuya, who sets out to find a new husband after her original hubby falls ill. Part comedy, part girl-power social drama, it’s a highly acclaimed film set in some of the most scenic parts of the planet.
read a review:
http://www.beyondhollywood.com/tuyas-marriage-2006-movie-review/
Columbia University
(Roone Arledge Auditorium, 115th Street & Broadway)
DOCTOR’S DAY OFF (Japan, 1952)
part of
OUT OF THE ASHES: EARLY POSTWAR JAPANESE MOVIES
Monday, March 31 @ 6pm
This series, curated by Linda Hoaglund, is screening some ultra-rare films from Japan’s immediate postwar years. The following synopsis is cribbed from Columbia U’s website:
“Set in 1946, on the first anniversary of Japan’s defeat, this film chronicles the hopeless efforts of a doctor in a poor neighborhood, trying to take a day off. His attempts to nap are foiled by a colorful stream of characters scarred by postwar trauma and lawlessness. The film’s guileless heart guides this tragic comedy to a deeply affecting conclusion. (Based on the short story by Ibuse Masuji.)”
more info:
http://www.columbia.edu/cu/weai/events/OutofAshes.html
ImaginAsian
RACE (India, 2008, 160 minutes)
Daily @ 2:30pm, 10pm
ends April 3
India’s Abbas-Mustan team direct high class thrillers with plots often cribbed from Hollywood flicks. But although RACE hasn’t gotten the best reviews, it would be hard to find a plot summary this awesome anywhere in the West:
“To the public eye, Ranvir (Saif Ali Khan) and Rajiv (Akshaye Khanna) may be your average horse breeders with a huge stud farm, but they are also the biggest bookies in the horse racing circuit. Rajiv, suffering from alcoholism, swears to quit drinking, if Shaina (Bipasha Basu), who is in love with Ranvir, marries him…”
Could this be any more camp-eriffic?
read a review:
http://movies.indiatimes.com/moviereview/2886604.cms
NANA (Japan, 2005, 113 minutes)
starts April 4
One of the best movies from Japan in recent history, NANA is based on an enormously popular manga series about two girls who share the name Nana who become roommates when they move to Tokyo. It’s all simple enough, but somehow this movie manages to feel as big as all creation. Funny, smart, cute, and sugar pop charged, this is one of the most intelligent dramas about young women that you’ll see this year. Right up there with LINDA LINDA LINDA from a few years ago.
read a review:
http://www.midnighteye.com/reviews/nana.shtml
Japan Society
GLASS JOHNNY: LOOKS LIKE A BEAST (Japan, 1962, 108 minutes)
Friday, April 4 @ 7:30pm
As THE WARPED ONES was a riff on BREATHLESS this Japanese flick (part of the Nikkatsu Action retrospective that’s been packing the house up there) is a riff on Fellini’s LA STRADA. The inimitable chipmunk-cheeked Jo Shishido plays a bike track tout who wants to groom a young rider into a star racer, and he adopts a simple-minded prostitute in the process. Black and white madness like you’ve never seen before.
see the trailer and read more:
http://www.japansociety.org/event_detail?eid=34941974
Landmark Sunshine
CJ7 (Hong Kong, 2008)
Daily @ 12:15pm, 2pm, 4pm, 5:45pm, 7:45pm, 9:40pm
Stephen Chow abandons his surreal “mo lei tau” style of anything goes comedy in this movie that sees him embracing a gentler more universal style of laffs. There are still plenty of manga-style combat scenes, poo jokes, overly-violent whacks in the head and off-the-wall plot turns in this sci-fi riff on ET about a poor father and son who find an alien toy in the local dump.
read reviews:
http://www.rottentomatoes.com/m/cj7/
Walter Reade
NEW DIRECTORS/NEW FILMS
Taking place March 26 – April 6, New Directors/New Films is Lincoln Center and MOMA’s annual celebration of the newest directors they dig up all over the planet. This year there are six directors from Asia, including:
EPITAPH – a hallucinatory Korean horror movie that rises above genre with a creepy visual sense and a time-jumping tale that folds up in itself.
FOSTER CHILD – Brillante Mendoza is one of the best new directors from the Philippines and his rehearsed and improvised movies are some of the rawest, roughest evocations of life in modern day Manila.
MEGANE – a feel good film from the director of KAMOME DINER that’s scientifically built to warm the cockles of even the blackest heart.
SOUL CARRIAGE – a bleak, abstract movie from China (directed by a Brit) it’s a grimmer take on GOING HOME: a young construction worker tries to make some quick cash taking the dead body of his co-worker back to his hometown thousands of miles away.
WE WENT TO WONDERLAND – an elderly Chinese couple visits Europe for the first time. He can’t speak due to cancer, she’s a hardheaded pragmatist. Sly, gentle comedy ensues.
WONDERFUL TOWN – a damp, mysterious film set in Thailand, this flick is all about an architect shows up at a nearly-abandoned town and tries to hook up with a woman whose past is as mysterious as his.
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